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IRENA SENDLER
February 15, 1910 – May 12, 2008

Underground organizer of the safekeeping of
2,500 Jewish children during the Holocaust –
a Righteous Among the Nations – and a
2007 Nobel Peace Prize nominee

Irena Sendler (in Poland: Sendlerowa), a Polish Catholic who, under cover of her position as a municipal social worker during the German occupation, smuggled hundreds of children out of the Warsaw ghetto – in everything from potato sacks to coffins, and sometimes thanks to underground corridors and bribes – has died at the age of 98. As director of the Children’s Aid Section of "Zegota", the underground Council for Aid to Jews, she organized the safekeeping of almost 2,500 Jewish children in Catholic families, convents, and orphanages during the Holocaust. She always rejected the label of hero, insisting that she only did what had to be done, and that she did it in collaboration with dozens of women co-workers and a wide network of courageous Poles. When arrested she never revealed their names despite severe torture by the Gestapo.

In 1965 Israel’s Yad Vashem Holocaust Memorial Institute recognized Irena Sendler as a Righteous Among the Nations, one of the first to be thus honored. She was only given the honor personally in 1983, after Poland's Communist authorities finally agreed to allow her to travel abroad. In 1991 she was named an honorary citizen of Israel. In 2003 she was awarded Poland's highest medal, the Order of the White Eagle. On March 14, 2007, the Senate of Poland unanimously passed a resolution honoring the World War Two activities of Irena Sendler and ?egota, and that year she was a nominee for the Nobel Peace Prize ultimately given to Al Gore.

She was born Irena Krzyzanowska in Warsaw on February 15, 1910, to a Catholic family, her father was a doctor who ran a suburban hospital, and many of whose patients were impoverished Jews. "I was taught that if you see a person drowning,” she once said, “you must jump into the water to save him, whether you can swim or not."
As a municipal social worker with official access to the Warsaw Ghetto, the young Sendler was a leader among like-minded women who used a whole repertoire of ploys to bring, when emotionally wrenching parental consent was granted, otherwise doomed children to hiding places on the Aryan side. By the time of full-scale deportations to extermination camps, ?egota was established with financial assistance from the Polish Government-in-Exile as the only such underground organization in Nazi-occupied Europe, and Sendler was asked to direct the Children’s Aid Section, and kept careful records in the hope of eventually reuniting the children with their parents. Though that rarely happened, there are survivors throughout Poland and the world who regard Irena Sendler as a kind of surrogate mother.

After the war Irena Sendler continued in her profession as a social worker and also became a director of vocational schools. During the Communist era, honest discussion of Polish-Jewish relations was “off limits”, and Ms. Sendler lived for many years in quiet obscurity. In her latter years she was cared for in a Warsaw nursing home by Elzbieta Ficowska, head of the Warsaw branch of the Children of the Holocaust Association, who – in July 1942, at six months old – had been smuggled out of the ghetto by Irena in a carpenter's toolbox.

In 2000 some Kansas schoolgirls wrote a play about Sendler called Life in a Jar, referring to a story of how the names of the rescued were hidden. When their teacher brought the girls to Warsaw to perform for Sendler, she began to re-emerge from obscurity. There is a biography by Anna Mieszkowska called Mother of the Children of the Holocaust: The Story of Irena Sendler. There has been talk of a film, with Angelina Jolie in the starring role. A major documentary called In the Name of Their Mothers is nearing completion.

But Sendler has said: "We who were rescuing children are not some kind of heroes. That term irritates me greatly. The opposite is true – I continue to have qualms of conscience that I did so little. I could have done more. This regret will follow me to my death."

At the news of Sendler’s death, Marek Edelman, the last surviving leader of the 1943 Warsaw Ghetto uprising, said on television, “A great person has died – a person with a great heart, with great organizational talents, a person who always stood on the side of the weak."

Her marriage to Mieczyslaw Sendler ended in divorce after the war. Her second husband, Stefan Zgrzembski, predeceased her, as did their two sons, but she is survived by their daughter, Janka, and a granddaughter.



JUDAICA FOUNDATION’S FOURTH ANNUAL FELEK AWARD

CONFERRED UPON PROF. WLADYSLAW BARTOSZEWSKI

The 2007 “Felek” Award, a statuette dedicated to the memory of journalist Rafael F. Scharf, a builder of bridges between Jews and Poles, was awarded to Professor Wladyslaw Bartoszewski, Auschwitz survivor, historian, statesman, former Minister for Foreign Affairs of Poland, former Polish Ambassador in Vienna, and recently appointed as a Secretary of State in the Prime Minister’s Office.

The Committee honored Professor Bartoszewski in recognition of his outstanding achievements in Polish-Jewish dialogue, in bringing the Jewish heritage closer to Polish society, and for hissimple but often courageous message that " it is always better to be decent".

The ceremony of awarding the statuette to Professor Bartoszewski took place at the Center for Jewish Culture in Krakow on December 13, 2007, during the promotion of the third edition of his book, "He Is From My Fatherland"

The award, established by the Judaica Foundation in Krakow in 2004, is given in recognition of outstanding achievement in preserving the heritage of Polish Jewry and making it better known. The statuette is awarded by a committee made up of Betty Scharf (London), Janina Ruth Buczynska (Krakow), Lili Pohlman (London), Prof. Jan Blonski (Krakow), Michal Sobelman (Warsaw) and Joachim S. Russek (Krakow, registrar of the committee).

The statuette commemorates Rafael F. Scharf, born in Kazimierz in 1914, graduate of the Krakow Hebrew Gymnasium and of the Faculty of Law at Jagiellonian University, and long-time journalist at Nowy Dziennik, Krakow. Although he spent most of his life in London, where he settled in 1938, he always remained a devoted amicus Cracoviae, engaged in Polish-Jewish affairs and committed to the concept of building bridges between Jews and Poles.

During the last fourteen years of his life he was a co-founder and creator of the Judaica Foundation and its Center for Jewish Culture in the Kazimierz district of Krakow, where he frequently spoke and shared his experiences and knowledge of the richness of Jewish life in pre-war Kraków. He died in London in September, 2003.

The “Felek” statuette is the work of the Krakow sculptor, Jerzy Noworol.

WARSAW AUTUMN 2007.

50TH INTERNATIONAL FESTIVAL OF CONTEMPORARY MUSIC

Sep. 21-29, 2007

Poland’s major international festival of contemporary music, and highly regarded worldwide, the "Warsaw Autumn" was for many years the only event of its kind in Central and Eastern Europe. Organized by the Association of Polish Composers during the political thaw of 1956, the festival has been held annually (except for ’57 and ’82) ever since. Conceived by composers Tadeusz Baird and Kazimierz Serocki, the aim of the festival was to acquaint Poles accustomed to the dominant socialist-realist style of the Stalinist period (socrealizm) with international avant-garde music, and to introduce Polish contemporary music to an international audience. During the Communist years the festival played an extremely important role as a catalyst for both Polish composition and for exposure to contemporary world music not only in Poland but in other Communist countries, including the USSR.


The Judaica Foundation - Center for Jewish Culture in Krakow
is pleased to announce that
 
THE “FELEK” STATUETTE,
dedicated to the memory of Rafael F. Scharf,
has been awarded for the year 2006 to
PROFESSOR ANTONY POLONSKY
of Brandeis University, Waltham, MA.

 
This award, established by the Judaica Foundation in Krakow in 2004, is awarded in recognition of outstanding achievement in preserving and making known the heritage of Polish Jewry. The statuette is awarded by a committee made up of Betty Scharf (London), Janina Ruth Buczynska (Krakow), Lili Pohlman (London), Prof. Jan Blonski (Krakow), Michal Sobelman (Warsaw) and Joachim S. Russek (Krakow, secretary of the committee). The award ceremony took place at the Judaica Foundation’s Center for Jewish Culture in Kazimierz on the occasion of a New Year’s Eve concert on December 31, 2006. The “Felek” statuette is the work of the Krakow sculptor, Jerzy Noworol.
 
The statuette commemorates RAFAEL F. SCHARF, born in Kazimierz in 1914, graduate of the Krakow Hebrew Gymnasium and of the Faculty of Law of the Jagiellonian University, and long-time journalist of Nowy Dziennik, Krakow. Although he spent most of his life in London, where he settled in 1938, he always remained a devoted amicus Cracoviae, engaged in Polish-Jewish affairs and committed to the concept of building bridges between Jews and Poles. During the last fourteen years of his life he was a co-founder and creator of the Judaica Foundation and its Center for Jewish Culture in Kazimierz, where he frequently spoke and shared his experiences and knowledge of the richness of Jewish life in prewar Krakow. He died in London in September 2003.
 
ANTHONY POLONSKY, an expert on the history of the Jews of east-central Europe and in particular on Polish-Jewish relations, holds the Abramson Professorship of Holocaust Studies at Brandeis University, a chair created through a gift to the U.S. Holocaust Memorial Museum, where Professor Polonsky is a regular participant in programs organized by the Museum’s Center for Advanced Holocaust Studies. In 1999 he was awarded the Knight’s Cross of the Order of Merit by the President of the Polish Republic.
 
Professor Polonsky is a co-founder of the Institute of Polish-Jewish Studies in Oxford and of the American Association for Polish-Jewish Studies. He is Chair of the Editorial Collegium of POLIN: Studies in Polish Jewry, which has appeared since 1986 and is the most important English-language scholarly publication devoted to this topic.
 
He is the author, co-author and editor of numerous publications devoted to the history of Poland and of Polish Jews, including Jews in Eastern Poland and the Soviet Union 1929-1946 (with Norman Davies, 1991), A Cup of Tears: A Diary of the Warsaw Ghetto (London, 1990), My Brother’s Keeper? Recent Polish Debates about the Holocaust (London, 1989), Jews in Warsaw (with Dr. Wladyslaw T. Bartoszewski jr., 1991) and Politics in Independent Poland (Oxford, 1972).
 

 
The Polish Cultural Institute is proud to announce that
MONIKA SOSNOWSKA,
who debuted in the US in our Architectures of Gender exhibition at SculptureCenter,
will represent Poland at the
52nd VENICE BIENNALE
CURATOR: SEBASTIAN CICHOCKI,
program director of Kronika Gallery in Bytom, and
a 2003 fellow of the Polish Cultural Institute in NYC
 
 
The Ministry of Culture and National Heritage announced that Sebastian Cichocki, program director of Kronika Gallery in Bytom, will be curator of the Polish Pavilion at the 52nd Venice Biennale of Art. His project, presenting a work by Monika Sosnowska, won a competition organized by the Ministry and the National Gallery of Art “Zacheta.”
 
Sosnowska’s project will be an installation under the working title „1:1” – the skeleton of a modernist building constructed inside the 1930s Polish Pavilion. Sosnowska’s realization is part of a broader debate on the heritage of modernism, which is not limited to architecture, art, and design.
 
Sebastian Cichocki (b. 1975) is a sociologist, art critic, for many years curator at the Kronika Gallery in Bytom, and since 2006 its program director. Cichocki collaborated with Berlin’s Buero Kopernikus and Macedonian Press to Exit, among others. Lecturer in Curatorial Studies at Jagiellonian University in Krakow. Cichocki is the author of more than 200 published texts on contemporary art, translated into English, French, German, Italian, Russian, Latvian, Estonian, Macedonian, and Dutch. His texts were recently published in the books Memorials of Identity. New Media from the Rubell Family Collection, Miami (USA), Das Radio empfiehlt, Bielefelder Kunstverein, (Germany), Ideal City/ Invisible Cities, (Poland/Germany), Raport – Not Announcement, BAK Utrecht (The Netherlands), Muzeum sztuki. Antologia tekstów, Universitas (Poland), among others.
 
Monika Sosnowska (b. 1972) studied at the Academy of Fine Arts in Poznan and Rijksakademie van Beeldende Kunsten in Amsterdam. The artist collaborates with the Foksal Gallery Foundation in Warsaw. Sosnowska is famous for her installations of a labyrinthine character that re-shape the interiors of buildings through optical illusions. In her art, she often refers to the East European experience of post-war modernization in apartment complexes, railway stations, and shopping center. “Secondary” features of architecture are also important to her, such as the then dominant coloristics, and the choice of specific building materials. She often explores fragments of architecture imperfect or ill-conceived. Works by Monika Sosnowska have been shown at the Museum of Modern Art in New York, Serpentine Gallery in London, Foksal Gallery Foundation in Warsaw, The Modern Institute in Glasgow, De Apple in Amsterdam, and OPA in Guadalajara, Mexico, among others. Her works were also presented at the exhibition Display II at the Kronika Gallery in Bytom in March 2006.

>>> MORE ABOUT THE ARTIST


KRZYSZTOF WODICZKO

LAUREATE OF THE PRESTIGEOUS 2006 KATARZYNA KOBRO AWARD

...One must firmly and irrevocably realize once and for all that sculpture is neither literature, symbolism, nor individual psychological emotion.

Sculpture is exclusively the creation of form in space.

Sculpture addresses all people and speaks to them in one and the same way

Katarzyna Kobro, Rzezba i bryla (Sculpture and Mass), Europa, No. 2, 1929

Artists to Artists:

The annual Katarzyna Kobro Award was established in 2001 by Nika Strzeminska, the artist’s daughter, Georg von Kobro, and artist Jozef Robakowski (Katarzyna Kobro Award Chairman). The prize is intended to honor a progressive and searching attitude, an artist open to the creative exchange of ideas...

The jury for the award has always consisted of the most outstanding Polish artists from different generations. The 2006 jury included Teresa Murak, Konrad Kuzyszyn, Slawomir Sobczak, Alicja Zebrowska, and Zuzanna Janin.

In previous years the award has been given to Zbigniew Dlubak (2001), Jürgen Blum-Kwiatkowski (2002), Andrzej Dluzniewski (2003), Krzysztof M. Bednarski (2004), and Teresa Murak (2005).

Krzysztof Wodiczko, the 2006 laureate, was decorated on December 16 in the Wschodnia Gallery in Lodz.

The award is sponsored by the Polish art collectors and brothers, Dariusz & Krzysztof Bienkowski.


 
Swarthmore Theater Professor
Allen Kuharski
 Honored for Raising Awareness of Polish Theater Around the World
Ceremony: Thursday, October 19, 2006, 4:15 PM
Institute of Art of the Polish Academy of Sciences
26/28 Dluga Street, 00-950 Warsaw, Poland

Allen Kuharski, Chair of the Theater Department at Swarthmore College, Associate Professor, and resident director, has been named winner of the 2006 Stanislaw Ignacy Witkiewicz Award by the Polish Centre of the International Theatre Institute – UNESCO in Warsaw. The award is given in recognition of his accomplishments in “raising awareness of Polish theatrical culture around the world.” Prof. Kuharski will travel to Poland in October as a guest of the Polish Ministry of Culture and the National Theater. He will receive a diploma and a sculpture by a contemporary Polish artist at an event held in his honor.

>>> MORE ON PROF. ALLEN KUHARSKI

>>> MORE ON POLISH CENTRE OF THE INTERNATIONAL THEATRE INSTITUTE



ARCHITECTURAL COMPETITION LAUNCHED
FOR THE NEW
MUSEUM OF MODERN ART IN WARSAW

The initiative to create one of the world’s great new “Museums of Modern Art” – formalized in March, 2005, as a joint project of former Warsaw Mayor Lech Kaczynski and then Minister of Culture Waldemar Dabrowski – just took a major step towards realization on December 15, 2005, when Poland’s newly elected President Kaczynski and the Minister of Culture, Kazimierz Ujazdowski, presided over the opening ceremony of the international architectural competition for the building that will house Warsaw’s own “MoMA”, the Museum of Modern Art in Warsaw.
The new Museum's site marked with the work by Piotr Uklanski for the agreement signing celebration in March 2005  

Remarkably, in a country that saw no museum construction at all in the 60 years since World War Two, this will be the fifth museum initiative in Warsaw within the past year, following the opening of the Warsaw Uprising Museum and preparations to build the Museum of the History of Polish Jews (its recent architectural competition won by the Finnish team of Rainer Mahlamäki and Ilmari Lahdelma), a Museum of Communism, and the Copernicus Science Center.

The Museum of Modern Art will be located in the heart of Warsaw’s grand new urban center that will surround, with historic symbolism, Stalin’s famous gift to the Poles, the Palace of Culture and Science. The Museum’s edifice is envisioned as a formidable new locus of modern culture that will attract a wide spectrum of visitors with its original architecture, highly interactive program, and a vast array of other location-enhancing initiatives. Its important feature will be its open stance toward the city’s public spaces in an attempt to fuse cultural experience with transportation and leisure zones. The expected number of visitors will be between 800,000 and 1,000,000 per year. The Museum‘s informational and educational offerings will be addressed to between 200,000 and 300,000 participants per year.

The Museum’s broad objectives, as currently formulated, are that it will serve as a place of dialogue and reflection upon the condition of modern art in post-1989 Europe. The Museum is intended to house users and processes, not just spectators and objects, and for this reason it is expected to stand out among other similar facilities. The Museum will also host exhibitions of Polish modern and contemporary art presented in its international context, presenting important phenomena in contemporary art by means of collection, exhibition, promotion, education, research, and other forms of cultural activities that establish communication with audiences and the international community of artists. Estimates call for completion of the new museum by 2008, at a cost of ca. 50 million Euros.

The one-stage Competition, preceded by a candidate pre-approval phase, is open to all participants who meet the conditions set forth in the Competition Rules. The deadline for submission of applications for admission to the Competition is February 28, 2006 (by 4:00 p.m. Warsaw time). The deadline for submission of competition entries is June 14, 2006 (until 4:00 p.m. Warsaw time). The Competition Jury will make its deliberations during the first half of July, 2006. For other intermediate deadlines and for all other information, visit the website (in both Polish and English) of the Museum Competition.

The international jury for the Competition has thirteen members, with Michał Borowski, Chief Architect of the City of Warsaw, presiding, and including also the Polish artist Paweł Althamer; Christie Binswanger, architect, Herzog and de Meuron, Basel; Jerzy Grochulski, architect, Warsaw; Ryszard Jurkowski, president of the Association of Polish Architects; Vittorio Magnago Lampugnani, architect and urban planner, Milan; Bohdan Paczowski, architect and art critic, Luxembourg; Anda Rottenberg, Chair of the Program Committee, MoMA in Warsaw; Andrzej Rottermund, Director of the Royal Castle in Warsaw; Sir Nicholas Serota, director of the Tate Gallery, London; Deyan Sudjic, London-based architecture critic, and curator of the Venice Architecture Biennale 2004; Adam Szymczyk, director of the Kunsthalle Basel; and Tadeusz Zielniewicz, Director of the MoMA in Warsaw Project.

The Competition offers substantial monetary awards for First, Second, and Third Place winners, and for at least 10 participants who win Honorable Mention.


THE MUSEUM OF THE HISTORY OF POLISH JEWS

 A “museum of life” is officially born.



On January 25, 2005, after several years of discussion, debate, and planning, a finalized agreement was signed at the Ministry of Culture between the Polish government, the Warsaw City Council, and the Association of the Jewish Historical Society to create a partnership to build the long-awaited Museum of the History of Polish Jews. Minister of Culture Waldemar Dabrowski signed for the Polish Government; the Mayor of Warsaw, Lech Kaczynski, signed for the Warsaw City Council; and Professor Jerzy Tomaszewski signed as Vice-President of the Jewish Historical Society, parent organization of the planned Museum, which will be in charge of the Museum's content and architectural design. Fiscal responsibility for the construction itself is shared with the two government partners, which have pledged 40 million PLN each towards the creation of the Museum, for a total (over $25 million) covering more than half the projected cost. This is an extremely important development  --  one that will make it possible to start construction of the Museum as soon as the architectural plans are finalized and approved.

 Aleksander Kwasniewski

The state-of-the-art interactive Museum is intended to start filling an enormous void in the historical consciousness of both Poles and Jews by vividly evoking the rich culture of the Jewish people that was able to thrive on Polish soil and contribute to Polish culture for over 800 years. As President Aleksander Kwasniewski expressed it, “The Museum will give young people in Poland the chance to get to know the splendid and colorful Jewish culture that was once an integral part of our multi-cultural landscape  -  a landscape of which Poland has been brutally dispossessed.”

At an international conference on plans for the Museum in Warsaw on April 18, 2002, Shimon Peres, Chair of the Honorary Committee, said, “So here we meet again, not as two countries, but as two civilizations, not as two political bodies, but as two historic neighbors, each living within the bones of the other, trying to hand down the truth to our children and to posterity.”

Bohdan Paczkowski, Chairman of the Jury of the Architectural Competition, has written: “The task of the building of the Museum of the History of Polish Jews in Warsaw is to inform and to move feelings. A visit to the museum should be an experience leaving a lasting mark, evoking internal change in visitors, where something that seemed distant comes closer and becomes more comprehensible.

Dr. Michael Berenbaum, prominent historian who was instrumental in the development of the U.S. Holocaust Memorial Museum, said during a Museum presentation in Los Angeles on October 11: "The creation of a Museum is an extraordinary opportunity to speak of the past and to educate the current generation and thus to shape the future. Memory is preserved in a museum, preserved and transmitted, and in the case of Museum of Polish Jewish History we have the opportunity to invoke the presence of those who are absent, to recall their lives and the way they lived and shaped their own culture and Polish culture before they were so brutally murdered.”

For more information and news on the Museum of the History of Polish Jews or how one can contribute to its completion, visit   www.jewishmuseum.org.pl    (additional information at www.mk.gov.pl ) .

Contact info:Shimon Peres

Eva Wierzynska, Ewa Zadrzynska
845 West End Avenue, Suite 4B

New
York, NY 10025
Tel: 1 (212) 961-0059, (212) 222-6802
Fax: 1 (212) 663-6863, (212) 665-3981
eva@interaccessinc.co

 

350 Fifth Ave, Suite 4621, New York, NY 10118 tel.(212) 239-7300, fax (212) 239-7577